Ginny and Little Bit are in trouble. After their father and only living relative is murdered by a gang of outlaws led by an increasingly unhinged marauder named Chance, they've been on the run. Narrowly escaping death, Ginny has only her wiles and her love for her little brother, as they make their way across an unforgiving landscape fraught with sheer danger. As she struggles with the painful memory of her father's murder and the utterly overwhelming guilt born from killing the man who was hell-bent on her rape and torture, Ginny is out of options as the wolves are relentlessly closing in. Things change for the children when they cross paths with Major Malcolm Hunter, a one-time war hero and lawman who's now been reduced to an old man with a failing memory. They form an alliance and make an attempt to reach the town of Black Ridge, where they could all be saved. Will Malcolm and Ginny have what it takes to find this place of refuge that may or may not even exist?

A chronicle of the life of an illiterate Russian peasant woman between 1909 and 1921, focusing on her private life and major historic events in the country.

Is a war big or small for someone who has lost his life in it? It's a film-trip or, as it's called today, a road movie. The road to the war is a greater ordeal than a battle… In an unprecedented march the forty-thousand strong Bulgarian Army, crossing from the southern to the western frontier of the country, covers the distance in less than two days and two nights with no roads, railway or other means of transport available… and wins the war. But this seemingly chaotic whirl of events will clearly follow the path of a young woman from the grave of her child to the death of her husband. And there will be the Cripple – a boy with his romantic urge to die for his Fatherland dying in the most important battle in life – for human dignity. There are also the bodies of two men clinging to each other in Death’s grip among the reeds in the mud. The war has made them enemies but they are more like bleeding Atlas Telamons with a peaceful sky steady on their shoulders.

This bizarre parody of the animated religious children’s show Davey and Goliath uses actors but looks like Claymation because of the stop motion, distorted voices, giant prosthetic ears and hair and sets that make Pee-Wee’s Playhouse look realistic. Davey’s father whips him with a belt for saying that he saw a bear, though he really did see a bear, while his sister looks on in glee. His dog Goliath, actually a leopard-skin footrest with a grotesque tail, tries to help but gets whipped too. Oedipal dream sequences and Davey’s revenge are also highlights in this unforgettable and darkly hilarious suburban nightmare.

In the garage of a quiet house, two children rummage through the shelves and accidentally knock over a can of oil. A drop falls and transforms into Goutix, the official mascot of Méroll, frying and motor oils. Goutix will take the kids on a wonderful and informative journey to the Méroll factory in question. You too, at the table or in the garage, ask for the best: Méroll oil!

A film version of the psychic omnibus horror "Honto ni Atta Kowai Hanashi".

In order to get back into the good graces with his wife with whom he has had a misunderstanding, a young chemistry professor concocts a wild story that he is an undercover FBI agent. To help him with his story he enlists the aid of a friend who is a TV writer. The wife swallows the story and the film's climax takes place in the sub-basements of the Empire State Building. The professor and his friend, believing themselves prisoners on an enemy submarine, patriotically try to scuttle the vessel and succeed only in rocking the building.

After graduating from the institute, biologists Chernov and Bochkin go to the tundra and organize a wildlife preserve. Experiencing constant resistance from the local authorities, Chernov cannot stand the tense situation and decides to return to Moscow. Bochkin regards his friend's act as a betrayal…

Once a Thief is a 1997 Canadian television show inspired by the 1996 film of the same name.

Cam Dean is a stereotypical loser until he isn’t.